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Home » [Update] Velvet Underground documentary omits band’s Jewish roots, but is still very cool | israel คือ – NATAVIGUIDES

[Update] Velvet Underground documentary omits band’s Jewish roots, but is still very cool | israel คือ – NATAVIGUIDES

israel คือ: คุณกำลังดูกระทู้

NEW YORK — I’m all about subjectivity when assessing art, but there are some things you just have to lay down as fact. One such example is this: The Velvet Underground is the coolest rock band there ever was. Maybe some Israeli tech startup can devise a gizmo that can scientifically prove this statement to be true, but until that day comes you’ll simply have to accept what I say.

The case has been abundantly clear since the mid-1960s, and if you haven’t been paying attention, there’s a spectacular new documentary from director Todd Haynes eager to show you the light — interestingly called “The Velvet Underground,” and out on October 15 on Apple TV+.

Now, let’s be clear: they aren’t the best band. The singer had a range of about three notes, the musicianship wasn’t particularly nuanced, and while the lyrics were certainly transgressive, they drew their power from blunt force more than wit. But the group, led by the late Lou Reed (born Lewis Allan Reed, originally Rabinowitz) was not just an example of “right place, right time,” they helped create the place and time.

The place was New York City and the time was the ’60s just before they became “the ’60s.” The key players were Reed, a miserable suburban kid whose Jewish parents attempted to have the “homosexual tendencies” zapped out of him via electroshock treatment. (Reed’s sister, in a current interview, doesn’t exactly stand by that decision, but does defend her parents a bit with some “it was the times” prevarication.) Reed quit Long Island for Manhattan with the hopes of becoming a rock star, and ended up working as a songwriter for a discount record company, scratching out “sound-a-likes” and curiosities like “The Ostrich.” But inside was a dark poet yearning to get out.

Luckily he met John Cale, a young Welsh musician schooled in classical music who fell in with an extremely avant-garde circle upon coming to Manhattan. Living in a now-legendary tenement building on the Lower East Side filled with filmmakers and artists and radical thinkers, Cale began experimenting with drones, atonality, sonic textures, and an expansive use of time. Haynes shows how these two men, plus an additional guitarist named Sterling Morrison and a drummer named Maureen Tucker, married Cale’s extreme radicalism with Reed’s rock ’n roll attitude and proclivity toward darkness.

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But a key component was missing. It came via the underground Jewish film artist Barbara Rubin, who made a very nice match between the band and Andy Warhol. Warhol was already a pop art sensation who had branched into movie-making, but he soon recognized a musical outlet would fit nicely in his world. The Velvet Underground would become, if I may boil this down a bit, his scene’s house band, performing at multimedia events that mixed music, film, art, fashion, celebrity, crazy lighting, psychotropic drugs, weird haircuts, and everything else we associate with the zeitgeist.

The documentary’s director Todd Haynes (who is Jewish) is known for his craftily designed narrative films like “Far From Heaven,” “Carol,” and (appropriate for rock n’ roll) the Dylan-Iggy Pop-Oscar Wilde-inspired “Velvet Goldmine” and the not-quite-Bob-Dylan-biopic “I’m Not There.” He dives into the Warhol “Factory” archive with great artistry, recontextualizing images many of which we’ve seen before, and in places as boring as public television. Aside from using Warhol-esque split-screens, Haynes fashions the footage to play up the idea that rebellion at this time meant great personal risk. Hanging out in a gay bar could mean economic ruination to people in the straight world, but here was an alternative that stood in defiance of any such anonymity. And with the Velvets’ aggressive music on the soundtrack, the palpable rebellion is energetic.

The film follows the Velvets’ recording years, including their 1967 “The Velvet Underground & Nico” (with the famous banana peel on the cover) and the amphetamine-inspired “White Light/White Heat” follow-up. Reed clashed with Warhol, and then with Cale, and eventually retooled the group in a slightly more user-friendly version. (The few V.U. songs that get played on the radio, like “Pale Blue Eyes” and “Sweet Jane,” come from this later era.) Eventually, Reed left the band altogether, and though there is a longer story to tell, that’s where the movie leaves off.

Though Reed and others both in archival and new interview footage in the film are Jewish, there’s not a single reference made to this fact. I can’t imagine that it never came up at the time — especially when Warhol paired the Velvet Underground with the tall, blonde, German chanteuse Nico — but for whatever reason it is left undiscussed. I mean, when you are as cool as the Velvet Underground, you are too cool for labels of any kind, but it’s weird to me that a total newcomer might watch this documentary and leave unaware of Reed’s ethnic identity. (Though far from religious, Reed later did write songs with Jewish themes and visited Israel.) On the one hand, it would’ve been cool to let people know he was a member of the tribe. On the other hand, the film is honest, and shows him at times being an egotistical jerk and a bit of a lowlife. Maybe best not to advertise too loudly after all?

One thing we are left with, however, is a sense of how a transformative art movement like this is unlikely to happen again in a similar way. As Factory visitor and current critic Amy Taubin points out, one of the key materials used was “time.” In a world where attention spans rarely last longer than a tweet, and technology has made interaction virtual, one mourns for the days of “just hanging out.” Perhaps this documentary’s slick footage — all those cool haircuts, mesmerizing drones, and abrasive lyrics — will, if nothing else, inspire a few kids to stop playing video games and go make some art.

[Update] 👍 โดเมน, โดเมนเนม ( Domain name ) คืออะไร, หมายถึงอะไร | israel คือ – NATAVIGUIDES

          รูปแบบการตั้งชื่อของ Domain ตามหลักการของ Internet มีรูปแบบ 3 รูปแบบใหญ่ๆ คือ

  • โดเมนขั้นสูงสุด – Top Level Domain เป็นรูปแบบที่ยังสามารถแบ่งได้ อีก 2 แบบย่อย คือ

    • รูปแบบโดเมนขั้นสูงสุดแบบสากล (General Internet DNS Top Level Domains: gTLDs) เป็นรูปแบบมาตรฐานที่ใช้กัน โดยเฉพาะในอเมริกา เช่น .com, .net, .gov
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Western Samoa

.ye

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.yt

Mayotte

.yu

Yugoslavia

.za

South Africa

.zm

Zambia

.zr

Zaire

.zw

Zimbabwe


Canon Rock – Jerry C cover by Laura Lace


I am a guitar teacher and this performance is from my student’s concert that I organize every year.
Меня зовут Виктор и я учитель игры на гитаре, это отчетный концерт моих учеников, который я организую каждый год.
LINKS:
TABS (very accurate with correct fingers and strokes) https://www.mymusicsheet.com/vigi/3937
Instagram: https://www.instagram.com/vigitarist/
Facebook: https://www.facebook.com/profile.php?id=100010949892172
ITUNES : http://itunes.apple.com/album/id/1542564317
SPOTiFY: https://open.spotify.com/album/7qYCzvpuom3jAD35dZlaKD
Laura’s Channel: https://www.youtube.com/user/Laura6100/
ORIGINAL BACKING TRACK ON PATREON (WITHOUT LAURAS GUITAR)
here: https://www.patreon.com/posts/canonrocklive25667207

If you want to support our studio:
Вот ссылки если хотите помочь нашей студии:
Streamlabs: https://streamlabs.com/vigistudio

Solo guitar Laura6100. Guitar Victor. Bass Igor. Drums Armands.

นอกจากการดูบทความนี้แล้ว คุณยังสามารถดูข้อมูลที่เป็นประโยชน์อื่นๆ อีกมากมายที่เราให้ไว้ที่นี่: ดูเพิ่มเติม

Canon Rock - Jerry C cover by Laura Lace

Tại sao Gaza là nhà tù ngoài trời lớn nhất thế giới


Tại sao Gaza là nhà tù ngoài trời lớn nhất thế giới

Dải Gaza là một dải đất nhỏ và hẹp ven biển dọc theo Địa Trung Hải ở Trung Đông, nó có chiều dài khoảng 42km và chiều rộng khoảng 12km, với diện tích chỉ 365 km vuông, tương đương tổng diện tích huyện Sóc Sơn và quận Long Biên của thủ đô Hà Nội. Mặc dù vùng đất này thuộc quyền tài phán của Nhà nước Palestine, nhưng nó tách biệt về mặt địa lý với Palestine bởi lãnh thổ của Israel. Về mặt pháp lý Gaza không được quốc tế công nhận là lãnh thổ của bất kỳ quốc gia nào.
Dải Gaza hiện có khoảng 2 triệu người sinh sống, trong đó khoảng 1,4 triệu người là những người Palestine tị nạn từ các thị trấn và làng mạc bị Israel phá hủy hoặc chiếm đóng trong các cuộc chiến tranh năm 1948 và 1967.

© Bản quyền thuộc về 5 PHÚT THÔI
© Copyright by 5 PHÚT THÔI Production ☞ Do not Reup

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dảigaza
palestine
israel

Tại sao Gaza là nhà tù ngoài trời lớn nhất thế giới

Ep 129 | D\u0026C 133-134, Come Follow Me (November 15-21)


Show Notes: http://talkingscripture.org
To enroll in an institute class: https://www.churchofjesuschrist.org/si/institute?lang=eng
Timestamps:
00:31 – Section 133 was intended to be an appendix to the Doctrine and Covenants.
00:55 – The role of government is to maintain a balance between rights and responsibilities.
07:01 – Section 133 is a companion to Section 1. Prophecies in the Bible will be fulfilled as the Latterday Saints gather the House of Israel.
17:37 – Temple imagery in D\u0026C 133 and its connection to Isaiah 52 and Moroni 10.
26:57 – Rising from the dust as a symbol of enthronement and heavenly kingship.
28:11 – Moroni’s appendix parallels many of the ideas in D\u0026C 133 and Isaiah 52.
31:19 – Come out of “digital” Babylon and build Zion.
32:50 – Literal and symbolic interpretations of the divided land becoming one again.
36:19 – The members of the Godhead are separate beings, but perfectly united in purpose.
41:17 – The Millennial possibility of a pure, unified language and people.
42:24 – Symbols of cosmic conflict in section 133: Mount Zion, the Great Deep, and North Countries. Rival religions at the time of Israel had images that were also associated with these ideas.
51:45 – Loving kindness or ḥeseḏ means a very deep feeling of love.
54:21 – The parable of the ten virgins. They that are wise have taken the Holy Spirit for their guide.
56:13 – John prophesied that an angel would fly through the midst of heaven with the everlasting gospel.
58:11 – The 144,000 have priesthood authority and represent all the tribes of Israel.
1:00:14 – The symbolism and significance of the Savior’s red garments.
1:07:44 – Elder Holland’s statement regarding previous dispensations and how their hope rested on us.
Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/talkingscripture/id1481923946
Listen on Google Podcasts: https://podcasts.google.com/?feed=aHR0cDovL3d3dy5sZHNzY3JpcHR1cmV0ZWFjaGluZ3Mub3JnL2ZlZWQvcG9kY2FzdC8
Listen on Stitcher: https://www.stitcher.com/podcast/talkingscripture?refid=stpr
Listen on Spotify: https://open.spotify.com/show/29SzZOUi9PHoa3f6Sy4zur?si=NECQi0kLSOuSTNDOcwhUw
Listen on Facebook: https://www.facebook.com/TalkingScripturePodcast/

Ep 129 | D\u0026C 133-134, Come Follow Me (November 15-21)

Russian S-300 Hit By Unknown Attack! Israel Uses Its Secret Weapon.


While there is no exact information about what the powerful electronic warfare system used by Israel is, it has been reported that the system is applied with Israeli F15 fighter jets.
As a result of the attacks, Iranbacked militants suffered great casualties and many of their senior commanders were killed.
Israel used powerful electronic warfare systems against the Russian S300 air defense systems and disabled them.
Israel’s evening attack on Syria demonstrated the uselessness of the S300 Favorit complexes put into service by the SAA. As it turned out, the Israeli military not only entered the airspace of Syria from the side of neighboring Lebanon, but also drowned out the air defense systems of the Syrian military with their own electronic warfare means, completely incapacitating them.

Russian S-300 Hit By Unknown Attack! Israel Uses Its Secret Weapon.

Real Talk, Come Follow Me – S2E47 – Doctrine and Covenants 133-134


Second Coming
Wardrobe Choices
Politics
Doctrine and Covenants 133134 | November 1521
Lesson 47—November 14
“Prepare Ye for the Coming of the Bridegroom”
DoctrineandCovenants comefollowme comefollowme2021 realtalkcomefollowme
What is the role of government in the gathering of Israel? How does God use clothing in scripture to point to Christ? What will it be like when the Savior comes again?
These crucial questions play an important role in today’s episode as GanelLyn and Scott navigate sections 133 and 134. Freedom of religion, celebrating faith, and the intersection of government, religion, and individual faith are also the discussion topics for today.
Invitation: In a civil way, what are some of the ways in which you can use your political voice to gather Israel?

Real Talk, Come Follow Me - S2E47 - Doctrine and Covenants 133-134

นอกจากการดูบทความนี้แล้ว คุณยังสามารถดูข้อมูลที่เป็นประโยชน์อื่นๆ อีกมากมายที่เราให้ไว้ที่นี่: ดูบทความเพิ่มเติมในหมวดหมู่LEARN TO MAKE A WEBSITE

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