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Learn English Conversation – Oxford English Daily Conversation Part 1 | britain แปล ว่า

Learn English Conversation – Oxford English Daily Conversation Part 1


นอกจากการดูบทความนี้แล้ว คุณยังสามารถดูข้อมูลที่เป็นประโยชน์อื่นๆ อีกมากมายที่เราให้ไว้ที่นี่: ดูความรู้เพิ่มเติมที่นี่

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Good morning. It`s seven thirty.
I`m Gary Fenton. Here is the news.
The Prime Minister is in the United States today…
…for talks with the American president at the White House.
The talks are very important for British and American…
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Learn English Conversation - Oxford English Daily Conversation Part 1

Causative Verbs – HAVE, GET, MAKE, LET, HELP – English Grammar Lesson


Learn how to use these important and essential causative verbs! We will discuss use and structure, and you can take the quiz! Free PDF \u0026 Quiz: https://bit.ly/CVerbsPDF. Ad Try Lingoda with an exclusive discount of up to 40% off with my link: https://try.lingoda.com/Nov_Lucy (Ad sponsored segment)
Chapters:
0:00 Introduction
1:23 Free PDF
2:00 Lingoda Ad \u0026 Intro
3:10 HAVE
7:52 GET
9:11 MAKE
10:07 LET
11:51 HELP
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Causative Verbs - HAVE, GET, MAKE, LET, HELP - English Grammar Lesson

British and American Compare Accents For The First Time!


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British and American Compare Accents For The First Time!

English Listening Practice Level 1 | Listening English Practice for Beginners


English Listening Practice Level 1 | Listening English Practice for Beginners
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English Listening Practice Level 1 | Listening English Practice for Beginners

Kaleidoscope | Immigration and Modern Britain


A new photography exhibition exploring identity and immigration in modern Britain. 12 Jun – 08 Sep 2019 at Somerset House
Featuring stills and moving image, Kaleidoscope showcases the works of ten photographers born or based in Britain, many with family origins abroad including Hong Kong, India, Jamaica and Russia, and explores what it means and how it feels to live as an immigrant, or a descendent of immigrants, in Britain today. Cocurated by writer, Ekow Eshun and Creative Director, Darrell Vydelingum the exhibition forms a celebration of immigration in everyday life.
Reflecting the multiplicity of voices that together form modern Britain, the exhibition takes individual and often intensely personal experiences to encourage a wider appreciation of the nation’s multiculturalism. The significance of immigrant communities forms a key focus, particularly how they influence the country’s identity, challenged now more than ever.
FEATURED ARTISTS \u0026 WORKS
Informed by his own history as an illegal immigrant, Seba Kurtis presents Heartbeat, a series of portraits of migrants held at UK detention centres, inspired by the British police’s use of heartbeat detectors to locate people hiding amongst cargo.
Chris SteelePerkins’ largescale The New Londoners studies families from each of the 200 UNrecognised countries of the world now living in London; the stories of their origins, and the reasons why they chose to settle in the city.
In Dalston Anatomy, Lorenzo Vitturi captures the energy in the convergence of different cultures at Ridley Road Market in East London. Combining portrait photography with abstract sculpture comprised of objects collected from the market, Vitturi reflects on the cultural evolution of Ridley Road and its unique combination of international influences.
For The Quiet Town of Tipton, Mahtab Hussain collaborates with the local South Asian community to capture life in the Sandwell borough following a racist attack on the Kanzul Iman mosque in 2013, offering a voice to those othered by xenophobic attitudes.
Teresa Eng explores the theme of belonging by documenting the people and places in Elephant \u0026 Castle, her home borough in London, offering a firsthand perspective of how second and third generation families view their local community.
Kurt Tong’s photo series The Queen, The Chairman and I is a personal documentation of his family’s journey from Hong Kong to the UK over the last 100 years.
Rhianne Clarke’s Many Rivers to Cross forms a retrospective of her father’s photography of his Caribbean community in 1970s80s London, discovered only following his death in 2014.
Hetain Patel brings a playful touch to immigration discourse in his film work, The Jump by gathering 17 British Indian family members in his grandmother’s home in Bolton, where he and his relatives have lived since 1967.
Photographer Liz Johnson Artur focuses on the capital in Real…Times, which premiered at the 10th Berlin Biennale 2018, weaving narratives from London’s African diaspora, from the Black Lives Matter activist rallies to sequences from Black female collective, Born N Bread.
Billy Dosanjh’s Year Zero: Black Country transports viewers to 1960s West Midlands. His video work compiles archive newsreel footage with personal testimonies from economic migrants in his hometown of Smethwick, forming a platform for a community underrepresented in mainstream culture.

Kaleidoscope: Immigration and Modern Britain is the next exhibition in The Charles Russell Speechlys Terrace Rooms Series, an ongoing partnership with the leading law firm to present a wide range of free exhibitions reflecting the broad interests of both organisations.

Kaleidoscope | Immigration and Modern Britain

นอกจากการดูหัวข้อนี้แล้ว คุณยังสามารถเข้าถึงบทวิจารณ์ดีๆ อื่นๆ อีกมากมายได้ที่นี่: ดูบทความเพิ่มเติมในหมวดหมู่LEARN FOREIGN LANGUAGE

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